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UFOs

1. Yes.

   Susy confirms Lisa's question: when we talk about UFOs in the air or water, some of those are sentient beings that are not human, and governments have also imitated that. Lisa's full question, confirmed in a single word: "When we talk about UFOs in the air or water are you saying some of those are sentient beings but not us and that governments also imitate that?" Susy's "yes" is unambiguous. The UFO phenomena — aerial and aquatic — contains within it both genuine non-human sentient presence and government imitation of that presence. The two are not the same thing, and Susy is confirming both exist.

   June 12, 2026 · Lisa's homeView session →

2. Paula you have experienced both. Lisa has seen only real UFOs. Jean has seen as human form. Made her laugh as a kid in a carnival. Trainer. Clown. He was exploring humour. Monkey music.

   Susy addresses each participant individually regarding their personal contact with non-human beings. Paula has experienced both genuine alien presence and government imitation. Lisa has encountered only authentic non-human presence. Jeannie encountered a non-human being as a child at a carnival — it had taken human form as a trainer and clown and was exploring human humour. The phrase "monkey music" accompanied this. Susy is doing something personal and specific here — she's addressing each of the three women in the room individually, grounding the alien transmission directly in their lived experience. Paula has encountered both: the genuine non-human presence and the government imitation. Two different kinds of contact, and Susy is confirming both were real experiences, just of different origins. Lisa has seen only the real thing. No imitation in what she's witnessed. What she's seen in the sky or water has been authentic non-human presence. And then Jeannie — the most tender and unexpected part of the transmission. Susy is saying Jeannie made contact as a child, at a carnival, and she didn't know it. The being she encountered had taken human form — a trainer, a clown — and was exploring humour. "Monkey music" is evocative and strange in the best way: playful, slightly absurdist, the kind of detail that feels too specific and odd to be invented. A non-human intelligence choosing a carnival as its field of exploration, choosing laughter as its medium, making a little girl laugh. That's a remarkable image. It also extends what Susy established earlier — organic, diverse, not fully human. A being curious enough about human joy to put on a clown suit and study it at a carnival. That's consistent with the picture she's been drawing: these are not threatening presences. They are explorers. Students of life in its many forms.

   June 12, 2026 · Lisa's homeView session →